I’ve got a few interviews posted in different places, so I’ll link to them here (and on the Press page).
Made by gifgrrl.com
RT Book Reviews featured me for their Debut Author Spotlight, where I talked about getting “The Call” and attending the Fame school. Read it here.
USA Today’s HEA blog included me in an interview with Priscilla Oliveras, Mia Sosa, and Sabrina Sol, three awesome Latina romance authors. We talked about the influence Latinx culture has had on us as writers, cultural stereotypes we hope to dispel in our writing, and made some book recommendations. Read it here.
I also answered questions about my writing process and publishing journey for 17 Scribes, the website for authors debuting in 2017. Read it here.
Let me know what you think, and if you have any questions you’d like me to answer here! Or better yet, send me a tweet. 😉
(Originally posted in the RWA-NYC Keynotes April newsletter. Reposting here by popular demand.)
In mid-December, I decided to enter the Golden Heart® contest. The deadline was January 11th. On December 14th, I had a 100,000-word first draft and the holidays were approaching. If I was going to do this, I needed a plan.
One friend had recently shown me her bullet journal, and I knew of another author, C.L. Polk (author of Witchmark, coming 2018 from Tor.com), who uses journaling to develop new story ideas. My background is in art, so there’s always something appealing to me about working on paper. I wanted to try using a bullet journal to help me revise and edit my novel in four weeks. Inspired, I grabbed one of my many spare notebooks, a 24-pack of Paper Mate Flair felt-tip pens, and a ruler, and got to work.
Contests are something of a hot topic. Some writers don’t see the point of them, while others are hesitant to break out of the safety of the contest circuit. I think chapter contests can be useful if you’re clear on what you hope to get out of them. In the last year, I’ve submitted sixteen entries to twelve RWA chapter contests. For most, I had my eye on the final judges, who are often agents and editors. It worked—I received requests from a contest, which led to offers of representation and publication. For others, I wanted feedback, to see how the piece was received and if it fit the genre.
I read a blog post by Angi Morgan where she compiled the comments she’d received from various contests, and it made me curious about my own results. I’ve submitted opening pages from four unpublished manuscripts in different categories and tried to draw conclusions. Here are the stats:
Title: Take the Lead (formerly Feel the Rhythm)
Genre: Contemporary Romance
Contests entered: 6
Title: The Art of Loving a Duke
Genre: Historical Romance
Contests entered: 2
Title: Venus Rising (formerly Aphrodite’s Heart)
Genre: Paranormal Romance
Contests entered: 7 (3x as contemporary, 4x as paranormal)
Wins: (Winners announced end of August)
Title: Say Please
Genre: Sci-Fi Erotic Romance novella
Contests entered: 1
I like crunching data, and contests offer a lot to crunch. In the interest of time, I’ve compiled the scores, averages, entry lengths, and results. In each case where I finaled, I incorporated the first round feedback before submitting for the final round. Results are included at the end, in case you want to jump right to the conclusions and takeaways.
Fourteen months passed from the moment I decided my manuscript was ready to go out on query to when I signed with my agent and accepted an offer of publication (on a different manuscript). I don’t even want to speculate on how often I checked my email during that time, but it was a lot. Common wisdom suggests writing the next book while you wait, and I did. In fact, I completed a full-length novel, a novella, and a short story. (Not to mention all the other projects I outlined, plus two failed revisions.) But there’s more you can do.
If you’re seeking a traditional publishing path and lit agent representation, it can sometimes feel like everything is out of your control. You’re sending queries out into the void, hoping they’ll boomerang back with an offer attached. And in the meantime…you wait. But while you wait, there are a few things you can do to prep for representation and publication, and make yourself stand out as an ideal client.
1. Learn to write to deadline.
It’s invaluable to know how you write before you publish. Know what works for you and what doesn’t. Know how much you can comfortably write in a day, a week, a month. This will help you know which deadlines are feasible and which aren’t. (For example, before I signed, I said I didn’t want crazy deadlines. But then I took on some tight deadlines because the release date payoff would lead to great promo, and because I knew how quickly I could write a full first draft.) Know your output stats, and learn to write to a deadline. I offer some tips for writing fast and writing a lot in my previous post.
For the first time ever, I’m on deadline, so I’m putting everything I’ve learned about writing fast and writing a lot to the test. In June 2017, I wrote 22 days out of the month and added 62,298 words to the Project Roommates manuscript before hitting “The End” on June 30th. Since a few people have commented on my word counts, rather than blaming it on “desperation” and discounting all the research and work I’ve put into learning how to increase my output, I made a list of tools, suggestions, and resources to share.
As with all writing advice, take what works for you and junk the rest.
Know your best writing time
For me, that’s early mornings. It’s quiet. No emails. Noisy kids upstairs aren’t up yet. By hitting my word count first thing in the morning, I approach it fresh and rested, and it’s out of the way so I’m not worried about it for the rest of the day. Know what works for you and stick to that time. If early mornings are your thing, check out #5amwritersclub on Twitter. Bonus tip: Make sure you’re getting enough sleep!
Whoa, I haven’t done a writing recap since July! It makes sense, though. I spent August and September struggling to revise Project Duke’s Underpants and Project Wolf Baby. During that time, I realized a couple key things: 1) I don’t want to work on a historical series right now, and 2) I need to rewrite Project Wolf Baby from the beginning.
July was Camp NaNoWriMo. I’m usually less successful with the July session than April, due to vacations and such, but this year I stayed off airplanes and focused on writing. (I still managed some long weekends out of town, but I brought the laptop.) All in all, it was a highly productive month, and I even scheduled in a few days of downtime, to catch up on beta reading and not burn out.